On the importance of Magical Girl Heroines & Weaponized Femininity:
Let me start by saying that officially speaking, Sailor Moon is older than I am. I started watching while living in Singapore while I was four, so I definitely came in around the end of Sailor Moon R and watched Sailor Moon S despite the fact that it was played in Japanese with Chinese subtitles. When I moved back to the States, Sailor Moon started being released and aired in sub and dub form and being young and happy to actually hear a language I understood with a show I already liked, I watched the dubs. They’re not the shining star of any animated dub, but I went back several times as I got older, and rewatched the series, in dubs, in subs, all 200 episodes. I changed my self-identified scout, I understood what got cut out of the show, what was censored, I went back and relived my crush on Tuxedo Mask again…and again. In terms of “formative media” Sailor Moon is probably near the top of the list. I still have the sticker book I had when I was 5/6 that has a page dedicated to these magical girls, and they’ve been with me a lot longer than almost anything else, including Harry Potter, Avatar: the Last Airbender, and most other narratives, superhero, fantasy, or otherwise.
When I got the chance last year, I showed one of my girl cousins (who was twelve) the first episode of Sailor Moon. She came back to me about a week or so later and was maybe thirty episodes into the series, bursting with excitement over everything and every one.
I stopped to think about how much that meant to me. Then I thought a little harder. One of my best friends gave me an opportunity to cosplay as Sailor Scouts, and I leapt at the chance. I accidentally stumbled across the newer series Puella Magi Madoka Magica, and marathoned all twelve episodes. Then I made my best friend watch it.
Why does Mahou Shoujo stick with us? The show I loved when I was six is something I love when I’m twenty, and something my cousin who is a tween also loves. For that matter, Puella Magi is, essentially, an update of the classic Magical Girl story, with some genre subversions thrown in. What makes magical girls so important?
Call yourself a storyteller?
Not sure why movies, TV and other media should include stuff from a woman’s perspective?
Want to find out why so many people WANT to see more work told from the perspective of the heroine (who also may be a WOC or a QWOC)?
READ THIS. Seriously. This says in such an eloquent way why I’m so passionate about telling stories from the heroine perspective. This isn’t just about magical girls, this isn’t just about weaponized ass kicking girls - this is about telling a story from a woman’s point of view and how powerful our stories really can be.
missturdle thank you so so so SO much for writing this. Buying a printer and sticking this to the wall of our story room!
